Plein Air: Past and Present

Visit the New Plein Air Blog

0810pleinblog_600x453Check out the new Plein Air blog at the American Artist community site!

Continue reading »

Like Breath on Glass: Whistler, Inness, and the Art of Painting Softly

0809whis3_600x452 This exhibition on view at the Sterling and Francine Clark Art Institute, in Williamstown, Massachusetts, examines a softer style of landscape painting that emerged during the turn of the century, made popular by James Abbott McNeill Whistler and George Inness.

Continue reading »

Thomas Cole's Creative Process

Thomas Cole exhibitionCole Cross on a Hilltop oilA current exhibition at The Thomas Cole National Historic Site, in Catskill, New York, examines the plein air and studio oil studies Hudson River School founder Thomas Cole created prior to painting some of his greatest landscape paintings.

Continue reading »

Letters on Landscape Painting

0808dura6_433x600 Asher B. Durand’s “Letters on Landscape Painting” from the mid-1800 publication The Crayon are today considered an invaluable source of information for landscape painters, offering advice that is as evergreen as it is enlightening. Here we present an excerpt of a letter from 1855, in which Durand advises artists to spend considerable time studying and drawing from nature before painting it.

Continue reading »

Robert W. Wood: Master of the American Landscape

Wood Golden Horizon oilJeffrey Morseburg—the owner of Morseburg Galleries, in Los Angeles—has become an expert on the late landscape painter Robert Wood, having learned of the artist through his father’s  personal and professional relationship with Wood, as well as having organized two retrospectives and a website devoted to him. Here Morseburg shares an article he wrote on the life and work of this great American landscape painter.

Continue reading »

Nicolas Poussin and Nature

0803pous2_600x446Nicolas Poussin was one of the first painters to legitimize landscape painting as a classical genre and was also one of the first to paint directly from nature. In the May 2008 issue of American Artist, John Parks gives us a look at the life, inspiration, and output of this influential artist, who is also the subject of the “Poussin and Nature: Arcadian Visions” exhibition currently on view at The Metropolitan Museum of Art.

To read the full version of this article and other articles on exhibitions, subscribe to American Artist today!

Continue reading »

EXHIBITION: J.M.W. Turner

0802turn1_427x600_2 This retrospective features the life work of the great English landscape painter J.M.W. Turner and showcases his incredible ability to capture luminous light and atmosphere.

Continue reading »

EXHIBITION: Kindred Spirits: Asher B. Durand and the American Landscape

0802dura1_490x600_2 This exhibition of more than 50 landscape paintings and engravings from Hudson River School artist Asher B. Durand surveys the artist's long career as well as his lasting contribution to the plein air-painting tradition.

Continue reading »

The History of the Plein Air Movement

0802pous_567x420Starting in Rome in the 17th century and eventually making its way around the world, the plein air movement began as a call for artists to reconnect with nature and develop an appreciation for the astounding beauty found therein. More than four centuries later, many of the values and beliefs that birthed the plein air movement are still alive among practitioners of the genre today.

Continue reading »

In Focus

The 2009 American Artist Cover Competition!

0809cvrcomp_460x600









Take advantage of the opportunity to have your artwork reproduced on the cover of American Artist or Watercolor magazine in 2009 and included on our website, www.myAmericanArtist.com.

Continue reading »

For best experience please enable javascript and flash
subscribe to the newsletter subscribe to American Artist magazine