Pastel Critique: "The Old Man"

Modulate contrast to keep the attention on the focal point.

Pastel Masters

Artists looking to work with pastel can learn valuable techniques and tips by studying artists who first explored the medium and discovered the possibilities the medium offers.

Sam Goodsell: Sticking With the Figure

In 1994 New York City pastelist Sam Goodsell returned to the art world after nine years away, determined to fully explore the challenging and rewarding genre of figure painting. His dedication is paying off.

View a gallery of additional work by Goodsell.

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Sam Goodsell's Pastel Figures

In this online exclusive gallery, view more pastel figures by American Artist April 2008 featured artist Sam Goodsell.

Read the feature article on Goodsell.

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William Schneider: Painting the Mouth

Painting the expressiveness of a person’s mouth helps establish his or her likeness, personality, and vitality in a portrait, yet many artists have difficulty representing that facial feature. Here’s how I teach students to paint a mouth in either oil or pastel.

View an online exclusive gallery of more work by Schneider, and watch a slideshow demonstration of how to paint a mouth.

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William Schneider's Oils and Pastels

In the May 2008 issue of American Artist, William Schneider discussed how he teaches students to paint a mouth in either oil or pastel. We offer more examples of his work in this online exclusive gallery.

Read the feature article by Schneider.

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Connecticut Pastel Society's Annual Juried Exhibition: Award Winners Announced

More than $10,000 in cash and merchandise was awarded to 34 pastel painters at the Connecticut Pastel Society's 14th Annual "Renaissance in Pastel" exhibition.

Repairing Canvas and Pastel Tips

A painting I was working on fell from my easel and landed on top of a stool. This accident left a big bulge in the canvas where it hit the edge of the stool, a dent on the bottom edge of the stretcher bar, and a quarter-inch tear in the canvas. Can I repair these damages?

Patricia A. Hannaway: Drawing What the Model is Doing

Californian Patricia A. Hannaway stresses that the best drawings of living things honor the action line and gesture, suggesting their movements in the recent past, present, and future. This dynamic, cinematic approach makes sense for someone who has made a name for herself as a successful animator.

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