Oil

Visit the American Artist Community Site For New Editorial Content

0812aacomm_600x453As many visitors have already discovered, the American Artist online presence is currently transitioning to a new format. The new American Artist community site is already home to the American Artist forums, and fresh online editorial content is being shifted there as well. The content previously posted here can now be found in a collection of newly created blogs, brought to you by the editors of the American Artist family of publications.

Visit here for new content.

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The Dutch Italianates at the Muscarelle Museum of Art

American Artist exhibition

0810dulwichexhib2_600x499 The Muscarelle Museum of Art, in Williamsburg, Virginia, will be the initial site for the national tour of the major exhibition of Old Master paintings.

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Oil Critique: "Midnight Snow"

American Artist critique

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Detail disappears at night, so choose your detail with economy.

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Open Spaces

0810fronz3_588x600Francis Di Fronzo stopped working with paint brushes to create his own technique of “tapping the landscape into existence.”

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Morandi: Painting and Appearance in the 20th Century

John A. Parks examined the art of Giorgio Morandi in the December issue of American Artist. In one section, he asserted, "[His] paintings are a testimony to the act of something deeply contemplated. It is a kind of painting that has nothing to do with simply recording appearances." We asked Parks to expound upon this bold statement, and he responded with the following essay.

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Oil Critique: "Bearded Iris"

American Artist critique0810iriscrit_479x600 Varying degrees of softness in the edges can give more depth.

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All The Water That Will Ever Be, Is, Right Now at the Irvine Museum

American Artist exhibition

0810h2oexhib1_600x505 The natural cycle of water and its place in the landscape is the focus of this exhibition at the Irvine Museum, in Irvine, California.

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Fine Art or Illustration?

0810fuchs1_389x600Whether creating fine art or illustration, for Connecticut artist Bernie Fuchs—who boasts a long and successful career as an illustrator—it’s all the same. Either way, “I’m making a picture,” he explains.

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Oil Critique: "Remnants of Autumn"

0810remcrit_600x314 The big granite surfaces in the foreground could be much more solid and read like granite if you tried doing them in layers.

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Portrait Commission Demo

Garth Herrick Portrait Demo: Light on the Ground

Garth Herrick oil portrait demoHerrick adjusts the light mass on the ground below the children, and lightens the middle girl's face.

Check back weekly to view the next step in Herrick's process. To view the demonstration from the beginning, CLICK HERE.

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In Focus

The 2009 American Artist Cover Competition!

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Take advantage of the opportunity to have your artwork reproduced on the cover of American Artist or Watercolor magazine in 2009 and included on our website, www.myAmericanArtist.com.

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