In the spring 2008 issue of Watercolor magazine, James Toogood discussed how painting
with watercolor requires an understanding of not only the paints themselves but also their application. Here, we present his demonstration Mixed Emotions.
Read James Toogood's feature on achieving optimal results with watercolors from the spring 2008 issue of Watercolor magazine.
In the spring 2008 issue of Workshop magazine, Colorado artist Ron Hicks discussed how
breaking down his subjects into shapes, and capturing gradations of light in each, allow him to create the moody figurative and interior work he is best known for. Here we present his demonstration Noelle With a Black Dress.
To read the feature article on Hicks, check out the spring 2008 issue of Workshop magazine today!
A noted artist and instructor demonstrates how he lays down a wash, then adds darks and lifts out lights to reveal an expressive drawing.
In the winter 2008 issue of Watercolor magazine, Margaret M. Martin discussed incorporating figures in her architecture and landscape scenes to help direct the viewer's eye and infuse a sense of movement and life into her paintings. Here, we offer a step by step demonstration of her piece Country Jewels.
To read the feature article on Martin, check out the winter 2008 issue of Watercolor magazine today!
In the winter 2007 issue of Workshop magazine, Alan Flattmann showed two methods of painting the landscape. Here we present a step by step demonstration of his painting The Abita River.
To view more demonstrations like this, subscribe to Workshop today!
In the winter 2007 issue of Workshop magazine, featured artist Frank Gardner focused a recent workshop on a dependable method to begin a plein air landscape: start with a premixed palette. Here, we feature a step by step demonstration of his piece Patsy's Cart.
To view more demonstrations like this, subscribe to Workshop today!
In the fall 2007 issue of Watercolor, Johnnie Liliedahl discussed Old Master approaches that help her students understand the basics of oil painting. Here, we present a demonstration for her painting Lady in White.
Read the Workshop article focusing on Liliedahl's technique.
In the December 2007 issue of American Artist, Joseph Gyurcsak used the work of Giorgio Morandi and Paul Cézanne to help illustrate lessons on developing paintings. Here, we present a step by step demonstration of his painting Subtle Grays.
CHECK OUT THE NEW AMERICAN ARTIST VIDEO SECTION!
In the fall 2007 issue of Workshop, Gayle Levée discussed how the underlying structure of a painting gives the finished work its strength. Here we present a demonstration for her painting Reflections in Gold.
Like this demonstration? Check out other art-instruction demonstrations and videos.
To read the feature article on Levée, check out the fall 2007 issue of Workshop magazine today!
Enter American Artist's Self-Portrait Competition, and win valuable prizes!
Extended entry deadline: May 19, 2008
If you are chosen, your artwork will also be reproduced in the print edition of American Artist, on the magazine’s website, and in one of the magazine’s e-newsletters.
CLICK HERE to enter now!
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Watercolor Highlights - Spring 2008
