by John Budicin

When painting a landscape it is often helpful to think of the scene as a stage on which the artist must place a main character and a supporting cast. In this painting, the artist should choose a focal point for the painting instead of giving each section equal attention and weight. The artist should also pay more attention to the reflections in the water, particularly in the area near the darkest windmill. Painting reflections in the water of the light from the sky will also make the water more interesting.

Morning in the Netherlands

About the Critic
John Budicin's plein air and studio landscape paintings achieved numerous top awards from esteemed art competitions.  He also was featured in several articles published by national magazines including Southwest Art, Art of the West, American Artist, American Artist Workshop, International Artist, and The Artist Magazine. In addition, his work was reproduced in the following books: 200 Great Painting Ideas for Artists, Enchanted Isle' History of Plein Air Painting in Catalina, and From Sea to Shining Sea A Reflection Of America. Budicin is the president of the Plein Air Painters Of America, a signature member of Oil Painters of America, and also is a member of the Laguna Plein Air Painters, Western Rendezvous of Art, and The California Art Club.  For more information, visit his website at www.johnbudicin.com.

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